Category: Cooperative Problem-Solving
ArtScience • Why Lentils And Rice Are Scientifically Delicious Together | What’s Eating Dan
What Is Critical Race Theory? | PolitiFact
There is no honest both sides argument going on about America’s origin and race, we only have a centuries-old, whitewashed history crafted by Plutocrats (leadership based on wealth and power) who have weaponized Intersectional Racialized Class, that continues to be propagated by our systems of education.
They pit Industrial Serfs and Techno Peasants against each other while terrorizing so-called Whites with Scary Minorities so that they predictably react and vote against their own best interests generation after generation.
We don’t need the imagined threat of Aliens from another world seeking to destroy us when there are real members of our own species that are gladly willing to exterminate billions of people for a bigger percentage.
“You know, Burke, I don’t know which species is worse. You don’t see them fucking each other over for a goddamn percentage.”
― Sigourney Weaver as Ellen Ripley, Aliens (1986) tvtropes.org
This is Math’s Fatal Flaw | Veritasium
Grading is a Scam (and Motivation is a Myth) | A Professor Explains
ArtScience • A Better Way To Picture Atoms | minutephysics
Forem Open-Source Communities | Github
Why Is Society Intent on Erasing Black People in Fantasy and Sci-Fi’s Imaginary Worlds? | The Root
Ashley Nkadi • 2017-11-09 10:00 AM
Extract
I was Dean Thomas, appearing ever so often in the halls of Hogwarts, but never enough to truly be seen. I was Daenerys’ personal assistant, whose insight, wisdom and strength were valuable enough to be leaned on, but not exceptional enough to actually be the Breaker of Chains. In worst cases, I was a villain, a miscreant or no one at all—an extra fleeting through a scene too quickly to even be registered.
So why do fantasy and science fiction lack diversity?
Read the full article at The Root
Frank Grimes • The Cult of Work | Renegade Cut
Sustainable Cinema No. 4: Shadow Play
The silhouettes of the ancient art of Shadow Play are achieved by light penetrating a translucent screen, and this sculpture uses the rotation of the windmill as the power to generate the backlight for the presentation.
Additionally, the wind turns a series of gears and plates that animate the puppets and move the background diorama to create a one-minute shadow theatre performance.
For video and in-depth information about the creators visit Scott Hessels at scotthessels.com
Enjoy other engaging works at Archive of Digital Art